Post by: allen on June 06, 2019, 07:16:09 AM
(https://www.amarkintime.org/forum/index.php?action=dlattach;topic=6793.0;attach=3352)
VENUE & LATEST TICKET INFO
Location:- https://www.stockholmlive.com/
Buy Tickets:- http://axs.com/se/events/363788/mark-knopfler-tickets?skin=livenationse
Clock @ Weather: https://www.timeanddate.com/worldclock/sweden/stockholm
DIARIES
Guy Fletcher D.T.R.W. tour Diary: http://guyfletcher.co.uk/category/2019-european-tour-diary/
Richard Bennett Notes from the Road: https://www.richard-bennett.com/notes-from-the-road
A.M.I.T. HUB
Who’s going where?: https://www.amarkintime.org/forum/index.php?topic=6400.0
Tickets : sale / exchange / wanted: https://www.amarkintime.org/forum/index.php?board=48.0
Pre-concert meetings: https://www.amarkintime.org/forum/index.php?board=49.0
PREVIOUS/NEXT MARK KNOPFLER Concert
Previous concert:- https://www.amarkintime.org/forum/index.php?topic=6962.0
Next Concert:- https://www.amarkintime.org/forum/index.php?topic=6980.0
Buy USB’S of this concert:- https://store.markknopfler.com/down-the-road-wherever-live-2019?utm_source=website&utm_medium=landingpage&utm_campaign=04_25_19&utm_content=dtrw_liveconcerts
29 songs were played on the 2015 tour
21 songs yet played on this tour
SET LIST
01. Why Aye Man
02. Corned Beef City
03. Sailing to Philadelphia
04. Once Upon A Time In The West
05. Romeo and Juliet
06. My Bacon Roll
07. Matchstick Man
08. Done With Bonaparte
09. Heart Full of Holes
10. She's Gone
11. Your Latest Trick
12. Postcards from Paraguay
13. On Every Street
14. Speedway at Nazareth
Encores
15. Money For Nothing
16. Piper to the End
17. Going Home
Post by: vr46mk on June 10, 2019, 01:29:34 PM
Post by: Silvertown on June 10, 2019, 01:43:14 PM
Soon arriving in Stockholm. Will write a post about my impressions and eventual setlist changes after the concert tomorrow. However don't expect any news on the set :lol
Just enjoy the show and don´t take too much pressure about the changes on the set.
Post by: jbaent on June 10, 2019, 02:39:20 PM
LOL
Post by: vr46mk on June 10, 2019, 02:43:50 PM
Which changes?
LOL
Haha yea that's what I expect. But you can always dream big :lol
Post by: Maxx on June 11, 2019, 09:34:21 AM
Is it correct that they had a day off in Stockholm yesterday?
https://www.flightradar24.com/data/aircraft/9h-joy
Post by: vr46mk on June 11, 2019, 10:11:07 AM
Looking forward for tonight's show! Altough, it's a bit sad that this most likely is the last time I'll see him live. I'm sure he'll continue playing live every now and then for special occasions, tho.
Is it correct that they had a day off in Stockholm yesterday?
https://www.flightradar24.com/data/aircraft/9h-joy
Yes day off in Stockholm. The trucks are already here
(https://i.imgur.com/z0tSC22.jpg)
Post by: vr46mk on June 11, 2019, 07:14:33 PM
We waited in the rain for 6hrs... Finally the cars arrived but they went through the gates.. One of the drivers said "We'll be back in a minute".. The band van got back with Marcus and Peter Mackay. They told us to jump in and we would get autographs. We got in and went underneath the Globe where all the staff is working. Was told we were not meeting MK in person but Peter walked away and came back with autographs on our CD and LP.. and got some bottles of water.. then Marcus drove us back outside and dropped us. This is amazing and such a nice gesture of them. Just having a ride in their band van is unbelievable :lol
Coming up.. the concert itself! :thumbsup
Post by: Maxx on June 11, 2019, 07:23:36 PM
So.. very special happening this afternoon..Not bad! Impressing with 6 hour sin the rain.
We waited in the rain for 6hrs... Finally the cars arrived but they went through the gates.. One of the drivers said "We'll be back in a minute".. The band van got back with Marcus and Peter McKay. They told us to jump in and we would get autographs. We got in and went underneath the Globe where all the staff is working. Was told we were not meeting MK in person but Peter walked away and came back with autographs on our CD and LP.. and got some bottles of water.. then Marcus drove us back outside and dropped us. This is amazing and such a nice gesture of them. Just having a ride in their band van is unbelievable
Coming up.. the concert itself! :thumbsup
Skickat från min SM-G930F via Tapatalk
Post by: kaleo74 on June 11, 2019, 08:16:30 PM
So.. very special happening this afternoon..Not bad! Impressing with 6 hour sin the rain.
We waited in the rain for 6hrs... Finally the cars arrived but they went through the gates.. One of the drivers said "We'll be back in a minute".. The band van got back with Marcus and Peter McKay. They told us to jump in and we would get autographs. We got in and went underneath the Globe where all the staff is working. Was told we were not meeting MK in person but Peter walked away and came back with autographs on our CD and LP.. and got some bottles of water.. then Marcus drove us back outside and dropped us. This is amazing and such a nice gesture of them. Just having a ride in their band van is unbelievable
Coming up.. the concert itself! :thumbsup
Skickat från min SM-G930F via Tapatalk
Good on you ! Now you're buying a Mercedes Van ;D
Post by: vr46mk on June 11, 2019, 10:25:47 PM
Post by: dannr1 on June 11, 2019, 10:47:04 PM
Post by: dmg on June 11, 2019, 10:56:40 PM
Going Home doesn't exactly make up for it on this tour either as played on the LP. ::)
Post by: Knopflerfan on June 11, 2019, 10:59:51 PM
Piper is crap as it is played on this tour; there is no solo at all at the end as Mark merely backs up the brass. What was once a lovely song is completely ruined and a complete waste of time.
Going Home doesn't exactly make up for it on this tour either as played on the LP. ::)
100% agree....
Post by: crimmer on June 11, 2019, 11:09:10 PM
Piper is crap as it is played on this tour; there is no solo at all at the end as Mark merely backs up the brass. What was once a lovely song is completely ruined and a complete waste of time.
Going Home doesn't exactly make up for it on this tour either as played on the LP. ::)
100% agree....
Post by: herlock on June 11, 2019, 11:28:01 PM
Post by: kaleo74 on June 12, 2019, 04:10:08 AM
Piper is crap as it is played on this tour; there is no solo at all at the end as Mark merely backs up the brass. What was once a lovely song is completely ruined and a complete waste of time.
Going Home doesn't exactly make up for it on this tour either as played on the LP. ::)
+100 :thumbsup
Post by: hunter on June 12, 2019, 05:19:22 AM
The first three songs, in particular, of which "Sailing to Philadelphia" was one of those where the guitarist from Dire Straits hardly seemed to touch their lips.
The 69-year-old from Glasgow has never been a showman or entertainer in the true sense of the word, on the contrary. The song should sound like Bob Dylan has taken an extra sleeping pill and still happened to wake up a little too early on a Monday.
But here he sets a new record of being an uncle.
The cut-proof entrance where Knopfler slowly, very slowly, moves across the stage raises an important question:
Will he ever come to the microphone?
It looks like a guitar helps an old man over a crosswalk.
No one requests that Knopfler be anything else. His image and music has always been lovely opposite to the pop industry's ideas about how a rock star should look, behave and be.
But the delivery is a little sad. The presence and intensity could not even blow out a heat candle.
The tempo of the songs rolls forward on the second gear. Button fingers do not set the guitar's tones with the same hypnotic, well-played and beautiful timing. It takes a while before, for example, "Money for nothing" squeaks and slips into the right place among the other instruments.
In view of Knopfler's large and small fantastic song catalog, this year's set list is even of surprises and often carved in stone. And the one who, for example, wanted to hear "Sultans of swing" or "Brothers in arms" may wait in vain.
Mark Knopfler surrounds himself with a brilliant ten-man band of various cats and characters, including the pianist Guy Fletcher who has stayed at the guitarist's side since 1984. All of them give several songs a different sound and color than on the studio album, which becomes especially clear in the Dire Straits jewel ” Once upon a time in the west.
Sometimes the musicians and Knopfler meet in soft jams. Feel free to call for a rock fusion in jeans that breaks the laconic pattern of the gig. In addition, the final with "Piper to the end" and "Going home" is really nice.
But it's like sitting and watching a show being shown in slow motion.
One thing you can still give Knopfler.
He may be the only one who has made a rather brilliant song about a bacon sandwich.
Post by: jbaent on June 12, 2019, 07:48:47 AM
Post by: Maxx on June 12, 2019, 09:12:44 AM
Standouts:
Done with Bonaparte - Could never believe I would name DWB as a highlight in concert, but the band sounded amazing here and the arrangement was great.
My Bacon Roll - Has never been a favorite for me unlike for most of you other guys, but it fitted well into the set and the solo was close to powerful.
Matchstick Man - Always a bit scary with small songs in a big arena, but it was obviously the most moving song of the night. The audience seemed to think so too.
Speedway at Nazareth - Always a hightlight, stronger than ever.
Post by: herlock on June 12, 2019, 09:18:38 AM
One of these days I will cut you into little pieces...
Post by: dannr1 on June 12, 2019, 09:23:42 AM
Nice picture maxx!
Post by: hunter on June 12, 2019, 09:36:40 AM
The same is always written in the Norwegian or Swedish reviews anyways. Just a pile of crap. Reviewers mostly without a clue when it comes to Mks solo-career «refusing» to accept that his musical path is different than it was 35-40 years ago, instead labelling it as boring. Bothers me that no one seems to understand My Bacon Roll in terms of lyrics but it might be too subtle for a simple journalist from a tabloid newspaper ??? Rant over with.
Nice picture maxx!
On the flip-side, we are heavily biased fans and view most things related to MK and DS through rose-tinted glasses.
Post by: jbaent on June 12, 2019, 10:01:11 AM
The same is always written in the Norwegian or Swedish reviews anyways. Just a pile of crap. Reviewers mostly without a clue when it comes to Mks solo-career «refusing» to accept that his musical path is different than it was 35-40 years ago, instead labelling it as boring. Bothers me that no one seems to understand My Bacon Roll in terms of lyrics but it might be too subtle for a simple journalist from a tabloid newspaper ??? Rant over with.
Nice picture maxx!
On the flip-side, we are heavily biased fans and view most things related to MK and DS through rose-tinted glasses.
Exactly
Post by: Jarle on June 12, 2019, 12:00:26 PM
The same is always written in the Norwegian or Swedish reviews anyways. Just a pile of crap. Reviewers mostly without a clue when it comes to Mks solo-career «refusing» to accept that his musical path is different than it was 35-40 years ago, instead labelling it as boring. Bothers me that no one seems to understand My Bacon Roll in terms of lyrics but it might be too subtle for a simple journalist from a tabloid newspaper ??? Rant over with.
Nice picture maxx!
On the flip-side, we are heavily biased fans and view most things related to MK and DS through rose-tinted glasses.
Not on this forum, in my opinion.
Post by: dmg on June 12, 2019, 02:20:25 PM
I like that review. It's always nice to know the opinion of someone who is not a fan and look at it from on objective point of view.
Me too. It's actually really funny!
Highlights:
"The cut-proof entrance where Knopfler slowly, very slowly, moves across the stage raises an important question:
"Will he ever come to the microphone?
"...it's like sitting and watching a show being shown in slow motion."
:lol :lol :lol
Compare with the Boston '79 show recently posted on here and nobody can argue with this.
Post by: hunter on June 12, 2019, 02:42:00 PM
I like that review. It's always nice to know the opinion of someone who is not a fan and look at it from on objective point of view.Compare with the Boston '79 show recently posted on here and nobody can argue with this.
Obviously that comparison isn't fair, and I'd be a little worried if Mark had played and sung now with the same intensity he did in 1979! But the slow movements on stage are not a sign of great health, that's for sure. It's like he's walking to the toilet at 4 in the morning, in the dark.
I liked this part though: "It looks like a guitar helps an old man over a crosswalk."
Post by: dmg on June 12, 2019, 05:01:14 PM
I like that review. It's always nice to know the opinion of someone who is not a fan and look at it from on objective point of view.Compare with the Boston '79 show recently posted on here and nobody can argue with this.
Obviously that comparison isn't fair, and I'd be a little worried if Mark had played and sung now with the same intensity he did in 1979! But the slow movements on stage are not a sign of great health, that's for sure. It's like he's walking to the toilet at 4 in the morning, in the dark.
I liked this part though: "It looks like a guitar helps an old man over a crosswalk."
Well obviously I don't expect that level from the man, but it was a good example to show the two extremes. :)
Post by: Pottel on June 12, 2019, 08:53:56 PM
Reading this "article", the only words that come to my mind are:one of my favourites huhuh.
One of these days I will cut you into little pieces...
Post by: dannr1 on June 12, 2019, 08:58:38 PM
Expected those comments, but that was not my point. They seldom seem neutral and up to date in terms of the artist they are reviewing, they often seem to forget DS was abandoned years ago and that the guy they now review is someone mainly focusing on singing-songwritinf (and very often some of the better lyrics out there) as opposed to the guitar-hero with headband they seem to be hoping for every f-ing time even though he is long gone.The same is always written in the Norwegian or Swedish reviews anyways. Just a pile of crap. Reviewers mostly without a clue when it comes to Mks solo-career «refusing» to accept that his musical path is different than it was 35-40 years ago, instead labelling it as boring. Bothers me that no one seems to understand My Bacon Roll in terms of lyrics but it might be too subtle for a simple journalist from a tabloid newspaper ??? Rant over with.
Nice picture maxx!
On the flip-side, we are heavily biased fans and view most things related to MK and DS through rose-tinted glasses.
Exactly
Post by: hunter on June 12, 2019, 09:15:31 PM
Expected those comments, but that was not my point. They seldom seem neutral and up to date in terms of the artist they are reviewing, they often seem to forget DS was abandoned years ago and that the guy they now review is someone mainly focusing on singing-songwritinf (and very often some of the better lyrics out there) as opposed to the guitar-hero with headband they seem to be hoping for every f-ing time even though he is long gone.The same is always written in the Norwegian or Swedish reviews anyways. Just a pile of crap. Reviewers mostly without a clue when it comes to Mks solo-career «refusing» to accept that his musical path is different than it was 35-40 years ago, instead labelling it as boring. Bothers me that no one seems to understand My Bacon Roll in terms of lyrics but it might be too subtle for a simple journalist from a tabloid newspaper ??? Rant over with.
Nice picture maxx!
On the flip-side, we are heavily biased fans and view most things related to MK and DS through rose-tinted glasses.
Exactly
I disagree. Most reviewers understand that a 70-year-old guy doesn't have the same intensity as someone 20, 30 or 40 years younger. But compared with other artists of the same age, it is a fact that Mark is pretty low energy. No one is expecting the guitar hero from 20 or 30 years ago, but as we have discussed here as well, Mark's playing has clearly suffered over the last few years. And people notice. I also think it is more noticeable in big arenas, which require more life on stage to make up for the lack of intimacy of a small theater.
Post by: qjamesfloyd on June 13, 2019, 08:49:00 AM
Post by: hunter on June 13, 2019, 09:38:25 AM
Post by: qjamesfloyd on June 13, 2019, 10:09:51 AM
Post by: jbaent on June 13, 2019, 10:27:03 AM
Post by: dmg on June 13, 2019, 12:17:49 PM
Post by: jbaent on June 13, 2019, 12:34:28 PM
It's interesting to think what the shows would be like in a theatre-sized venue. When attending the musical recently one of the best things about it was the energy imparted from the cast, something I can't really remember from Mark it's so long now.
A MK concert in a place like The Lyecum would be something so great... imagine him playing songs like "Heart full of holes" in a proper place for such type of songs, instead of the damm O2 arena or the NEC, or whatever hangar he is playing it...
Post by: dustyvalentino on June 13, 2019, 03:05:01 PM
Post by: hunter on June 13, 2019, 03:40:57 PM
The 96 tour (and NHB in 97 actually) was in theatres and was great.
I think that is the perfect format for Mark. Easier to establish a connection with the audience and makes it a lot more natural to play more intimate, quieter songs.
Post by: 2manyguitars on June 14, 2019, 09:41:31 AM
Post by: hunter on June 14, 2019, 09:51:09 AM
The only observation I wold make is that the energy from mks music is only part of the equation. Essentially mark is a storyteller and always has been. In in the 'good old days' he did this in a truly unique way with the interplay between voice and guitar. Now he uses a broader pallet. We all loved the energy, but I was always drawn to the deeper meaning of the songs, the characters and the stories they had to tell....
I would say these days he's a better storywriter than storyteller, if you know what I mean. Before he at least interjected some passion into his vocals.
Post by: 2manyguitars on June 14, 2019, 03:15:14 PM
The only observation I wold make is that the energy from mks music is only part of the equation. Essentially mark is a storyteller and always has been. In in the 'good old days' he did this in a truly unique way with the interplay between voice and guitar. Now he uses a broader pallet. We all loved the energy, but I was always drawn to the deeper meaning of the songs, the characters and the stories they had to tell....
I would say these days he's a better storywriter than storyteller, if you know what I mean. Before he at least interjected some passion into his vocals.
Life as a musical near 70 year old isn't so much about passion so much as it is about observation. The roots of all marks best songs are his journalistic observations on people and their struggles, the kind of tales that break your heart. For me that's what its always been about. From the guy walking in the wild west end, through an iffy jazz band, via an appliance store in New York, right through to Speedway, Basil Clyde, Bacon roll off the new album, what makes his song writing so unique seems obvious to me. So from my point of view the perceived absence of stage energy, histrionics, or the lack of a little bit of guitar finesse makes no difference. The stories are still there and they still break my heart.
Post by: Robson on June 14, 2019, 03:28:43 PM
Post by: hunter on June 14, 2019, 03:38:15 PM
The only observation I wold make is that the energy from mks music is only part of the equation. Essentially mark is a storyteller and always has been. In in the 'good old days' he did this in a truly unique way with the interplay between voice and guitar. Now he uses a broader pallet. We all loved the energy, but I was always drawn to the deeper meaning of the songs, the characters and the stories they had to tell....
I would say these days he's a better storywriter than storyteller, if you know what I mean. Before he at least interjected some passion into his vocals.
Life as a musical near 70 year old isn't so much about passion so much as it is about observation. The roots of all marks best songs are his journalistic observations on people and their struggles, the kind of tales that break your heart. For me that's what its always been about. From the guy walking in the wild west end, through an iffy jazz band, via an appliance store in New York, right through to Speedway, Basil Clyde, Bacon roll off the new album, what makes his song writing so unique seems obvious to me. So from my point of view the perceived absence of stage energy, histrionics, or the lack of a little bit of guitar finesse makes no difference. The stories are still there and they still break my heart.
Then why bother to pay good money to go to a show? If the performance is not (that) important, then I may just as well listen to the album. Or read the lyrics. He is an artist AND a performer after all.
Post by: 2manyguitars on June 14, 2019, 04:26:19 PM
The only observation I wold make is that the energy from mks music is only part of the equation. Essentially mark is a storyteller and always has been. In in the 'good old days' he did this in a truly unique way with the interplay between voice and guitar. Now he uses a broader pallet. We all loved the energy, but I was always drawn to the deeper meaning of the songs, the characters and the stories they had to tell....
I would say these days he's a better storywriter than storyteller, if you know what I mean. Before he at least interjected some passion into his vocals.
Life as a musical near 70 year old isn't so much about passion so much as it is about observation. The roots of all marks best songs are his journalistic observations on people and their struggles, the kind of tales that break your heart. For me that's what its always been about. From the guy walking in the wild west end, through an iffy jazz band, via an appliance store in New York, right through to Speedway, Basil Clyde, Bacon roll off the new album, what makes his song writing so unique seems obvious to me. So from my point of view the perceived absence of stage energy, histrionics, or the lack of a little bit of guitar finesse makes no difference. The stories are still there and they still break my heart.
Then why bother to pay good money to go to a show? If the performance is not (that) important, then I may just as well listen to the album. Or read the lyrics. He is an artist AND a performer after all.
I think you've misunderstood me hunter :) Of course the performance is important, but it doesn't necessarily need the energy of youth or prime knopfler guitar playing to put across the elements I stated in my previous post. In fact the gravitas of old age can add to those stories in my opinion. Prime live MK was brilliant, flash, amazing, full of energy, but there is far more depth to what he's doing now.
Post by: hunter on June 14, 2019, 04:55:29 PM
The only observation I wold make is that the energy from mks music is only part of the equation. Essentially mark is a storyteller and always has been. In in the 'good old days' he did this in a truly unique way with the interplay between voice and guitar. Now he uses a broader pallet. We all loved the energy, but I was always drawn to the deeper meaning of the songs, the characters and the stories they had to tell....
I would say these days he's a better storywriter than storyteller, if you know what I mean. Before he at least interjected some passion into his vocals.
Life as a musical near 70 year old isn't so much about passion so much as it is about observation. The roots of all marks best songs are his journalistic observations on people and their struggles, the kind of tales that break your heart. For me that's what its always been about. From the guy walking in the wild west end, through an iffy jazz band, via an appliance store in New York, right through to Speedway, Basil Clyde, Bacon roll off the new album, what makes his song writing so unique seems obvious to me. So from my point of view the perceived absence of stage energy, histrionics, or the lack of a little bit of guitar finesse makes no difference. The stories are still there and they still break my heart.
Then why bother to pay good money to go to a show? If the performance is not (that) important, then I may just as well listen to the album. Or read the lyrics. He is an artist AND a performer after all.
I think you've misunderstood me hunter :) Of course the performance is important, but it doesn't necessarily need the energy of youth or prime knopfler guitar playing to put across the elements I stated in my previous post. In fact the gravitas of old age can add to those stories in my opinion. Prime live MK was brilliant, flash, amazing, full of energy, but there is far more depth to what he's doing now.
I obviously didn't mean that he needs to replicate the energy of his young or prime years, it would look silly, really. But other artists at about 70 and above, Dylan and Ry Cooder come to mind, still have a certain presence and intensity that I feel Mark doesn't have. And, again, that's why I think the large arenas are so wrong for Mark now. Especially without big screens. I guess we can discuss this forever. At any rate, it's good that Mark is still "out there", but I think things could have been improved.
Post by: superval99 on June 14, 2019, 05:20:51 PM
Post by: 2manyguitars on June 14, 2019, 09:52:35 PM
The only observation I wold make is that the energy from mks music is only part of the equation. Essentially mark is a storyteller and always has been. In in the 'good old days' he did this in a truly unique way with the interplay between voice and guitar. Now he uses a broader pallet. We all loved the energy, but I was always drawn to the deeper meaning of the songs, the characters and the stories they had to tell....
I would say these days he's a better storywriter than storyteller, if you know what I mean. Before he at least interjected some passion into his vocals.
Life as a musical near 70 year old isn't so much about passion so much as it is about observation. The roots of all marks best songs are his journalistic observations on people and their struggles, the kind of tales that break your heart. For me that's what its always been about. From the guy walking in the wild west end, through an iffy jazz band, via an appliance store in New York, right through to Speedway, Basil Clyde, Bacon roll off the new album, what makes his song writing so unique seems obvious to me. So from my point of view the perceived absence of stage energy, histrionics, or the lack of a little bit of guitar finesse makes no difference. The stories are still there and they still break my heart.
Then why bother to pay good money to go to a show? If the performance is not (that) important, then I may just as well listen to the album. Or read the lyrics. He is an artist AND a performer after all.
I think you've misunderstood me hunter :) Of course the performance is important, but it doesn't necessarily need the energy of youth or prime knopfler guitar playing to put across the elements I stated in my previous post. In fact the gravitas of old age can add to those stories in my opinion. Prime live MK was brilliant, flash, amazing, full of energy, but there is far more depth to what he's doing now.
I obviously didn't mean that he needs to replicate the energy of his young or prime years, it would look silly, really. But other artists at about 70 and above, Dylan and Ry Cooder come to mind, still have a certain presence and intensity that I feel Mark doesn't have. And, again, that's why I think the large arenas are so wrong for Mark now. Especially without big screens. I guess we can discuss this forever. At any rate, it's good that Mark is still "out there", but I think things could have been improved.
I suppose its just what you like really. What I saw from the 2 shows in London was definitely the 'best' mark I've ever seen and I truly wish I could get to more shows.
Post by: vr46mk on June 23, 2019, 04:35:13 PM
https://www.youtube.com/watch?v=GPWNsrP6K9s (https://www.youtube.com/watch?v=GPWNsrP6K9s)
Post by: PensaGhost on June 27, 2019, 06:28:07 PM
(http://guyfletcher.co.uk/wp-content/uploads/2019/06/MikeAndDan2000-1200x800.jpg)
Post by: Solid Rock on June 27, 2019, 07:40:45 PM
My full concert video is up :thumbsup
https://www.youtube.com/watch?v=GPWNsrP6K9s (https://www.youtube.com/watch?v=GPWNsrP6K9s)
:clap :clap :clap :clap :wave