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Author Topic: Last exit to Brooklyn was released 30 years ago today  (Read 1868 times)

OfflineJF

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Last exit to Brooklyn was released 30 years ago today
« on: October 03, 2019, 11:30:03 PM »
Last exit to Brooklyn soundtrack was released 30 years ago today

my article (in french) : https://textes-blog-rock-n-roll.fr/last-exit-to-brooklyn-une-b-o-de-mark-knopfler-qui-sortait-il-y-a-30-ans/

OfflineEl Macho

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Re: Last exit to Brooklyn was released 30 years ago today
« Reply #1 on: October 04, 2019, 10:26:32 AM »
Thank you JF !
They got a name for people like you, yeh they do
And they got a name for people like me too
El Macho, El Macho

hunter

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Re: Last exit to Brooklyn was released 30 years ago today
« Reply #2 on: October 04, 2019, 12:48:17 PM »
Beautiful music, but I can't stand the fake-sounding Synclavier. It's a shame they didn't use a proper orchestra. Different budget, of course.

Offlinejbaent

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Re: Last exit to Brooklyn was released 30 years ago today
« Reply #3 on: October 04, 2019, 05:19:18 PM »
Beautiful music, but I can't stand the fake-sounding Synclavier. It's a shame they didn't use a proper orchestra. Different budget, of course.

According to Guy, MK had bought the synclavier some years ago and wanted to experiment with it so he didn't think about an orchestra at all but try what the synclavier could do.
You might get lucky, now and then

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Offline2manyguitars

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Re: Last exit to Brooklyn was released 30 years ago today
« Reply #4 on: October 05, 2019, 03:10:34 AM »
Beautiful music, but I can't stand the fake-sounding Synclavier. It's a shame they didn't use a proper orchestra. Different budget, of course.

According to Guy, MK had bought the synclavier some years ago and wanted to experiment with it so he didn't think about an orchestra at all but try what the synclavier could do.

And of course it was state of the art back then. It's one of many things that Mark doesn't get enough credit for, his desire to explore and experiment with new music technology. Things like digital recording, and the synclavier were really pushing the boundaries.

Not a big fan particularly of the LETB soundtrack itself, but there's no doubt that they coaxed some lovely sounds from the synclavier during that era. Top examples for me would be the whole of the NHB album, and Marks bits on Randy Newman's Land of dreams. Beautiful emotive tones and a kind of 'air' on those recordings that's hard to pin down.




 

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