That's how I noticed it: he starts with bridge and middle, and from the first solo onward, he uses middle.
I can't check because the whole video disappeared, but what I remember from watching the video is this:
- intro on middle
- first two verses middle + bridge
- solo on middle (with the mistake on middle + neck at the beginning)
- last verse: middle + bridge again
- outro: not sure
Dear JF, you're right. I just watched it carefully, and that's what you mentioned. When he's singing, he uses bridge and middle. When he does the intro and the first solo, he uses middle. However, he enters the final solo using bridge and middle, since he was singing, and you can see it. It doesn't show him switching to middle, unfortunately. Apparently, 30 seconds of the video was lost and they edited some scenes together. Maybe at some point in those 30 seconds, he changed the key to middle.
One thing is certain: he uses the middle pickup for intros and solos because during that period he used the Dimarzio in the middle. It wasn't until October 1978 that he switched from the Dimarzio to the neck. We can see this in the band's performance on Chorus TV 78. He experiments with the solo on "SOS" using the Dimarzio in the neck, and it turned out very interesting. In my opinion, this configuration continues into 1979. We can see him using this pickup in the neck on the intro and solo of "Single Handed Sailor" on Rockpalast 79, and throughout "OUATITW." In the video for "Rainbow Theatre 79," we see him using this pickup in the neck for "WDYTG," which, if I'm not mistaken, was also on "OUATITW."
Anyway, I love talking about this musical alchemy of MK's guitar sound.
