Thanks yontwocrows for the article, a nice read that I was not aware of.
...I have suspected it was inspired by Mark's time in Hollywood when he worked on film scripts. The Princess Bride came out just a few years before On Every Street, and I know he worked with Reiner, so thought maybe there was a connection. I'm sure he met his share of people just like he wrote about during that time, and it probably struck a chord. It may also have been about Warner, too, but I thought the unreal world of Hollywood seemed a better bet. That seems to me to be the only place you might find someone with "a brass toilet tissue holder with its own telephone" or a doorbell that plays Tie a Yellow Ribbon!
Hahaha! Superlinda, I completely agree... the host sounds very 'West Coast' in general, and the expressions Mark uses are expressions I remember hearing, including dmg's not-so-favorite: "Boy, this punch is a trip - it's o.k. in my book". Weak, perhaps... but very typical for the time (sorry, folks... California offers a lot of silly, forgettable expressions to the English language...).
And yet, I can still visualize Mark actually being chatted up by his host at one of these parties. And Mark, just trying to absorb all the ridiculousness (kind of like his observations on Money For Nothing)...
Well, nonetheless, I am quite glad it made it on OES. I love the song -- the lyrics, catchy melody, the personae Mark is able to invoke, the perfect use of the sax - and even the "Weeeee" of the party favor at the end. And like LE, I am also happy that PONO follows it
Thanks all for the input... I found myself pondering this song, and it's great to get additional insight!!