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Author Topic: Ed Bicknell - Jazz, Blues and Beyond  (Read 2809 times)

Offlinedustyvalentino

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Ed Bicknell - Jazz, Blues and Beyond
« on: May 04, 2025, 03:33:00 PM »
Another treat for us, a great session with Ed talking and choosing some fabulous music.

https://www.mixcloud.com/WhitstableSessionsRadioShows/jazz-blues-beyond-vol156-4th-may-2025-ed-bicknell-with-johnny-fewings/
"You can't polish a doo-doo" - Mark Knopfler

OfflineJules

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #1 on: May 05, 2025, 11:17:44 AM »
Another treat for us, a great session with Ed talking and choosing some fabulous music.

https://www.mixcloud.com/WhitstableSessionsRadioShows/jazz-blues-beyond-vol156-4th-may-2025-ed-bicknell-with-johnny-fewings/

Didn't heard yet, anything we haven't heard/read already? I'm listening anyway when I can, Ed is worth listening.
So Long

OfflineJules

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #2 on: May 05, 2025, 12:15:07 PM »
Listening right now, great story about MK using during rehearsals (not only with the NHB but also with DS) a blackboard and writing ticks at the left of the songs where he considered they were ok, and the roadies and tech praying for that ticks so they could go back home! LOL
« Last Edit: May 05, 2025, 12:32:14 PM by Jules »
So Long

OfflinePottel

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #3 on: May 06, 2025, 09:07:49 AM »
listening now. thnx
any Knopfler, Floyd or Dylan will do....

OfflinePottel

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #4 on: May 06, 2025, 09:22:54 AM »
just started, but great fun as usual with uncle Ed...also, he should check out that brilliant Take five version "live in Belgium" which can be found on Youtube...
any Knopfler, Floyd or Dylan will do....

OfflineRolo

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #5 on: May 10, 2025, 07:34:03 PM »
Very good indeed.

Pity that Mr. Fewings couldn't do a fluid conversation with Ed. In my opinion, almost everytime that Ed started to flow, something came to "interrupt" him.

I always been captivated about the recordings of the first DS album.
Muff's phrases: "Play in time" and "If you guys stays together, everything will be nice" always got me because this lines are almost touchable. I mean, I can almost felt the band's anxienty, expecially from John and David. Those lines also could relax Pick as well.

I don't remember when I listened to a Pick interview and  he said that he went thru hard times teaching John and David to play groovy.

Listening to Sultans during the show, I really payed attention to Pick's drumming and damn, it is flawless. The amount of information is astonishing specially during the last solo. It's like that Pick immitate Mark's solo note by note. Amazing.

Everything from the 1st Album is amazing. The songs, ambience, playing, producing and engineering. All incredible. My fav DS album from all time. Appears to me that, the only one who had some issues during this recordings was DK. He didn't play on all songs or his guitar was replaced by MK.

I wonder IF Mr. Bicknell could tell more about those sessions.

A friend of mine once said that the NHB is a band of white people celebrating white USA's south-western music. Funny that The Blues is a mix of a lot of cultures that lived together in the USA. African, Asian, American Natives and, of course, europeans. There are elements from all of them.

The first avaliable recording of Railroad Worksong or even the amazing John The Revelator (that have a strong version sung à capella by Son House) shows how the white folk stole part of the black american music to their own.

So, the NHB, in my opinion, is a celebration of a multi-cultural american music made by black, white, yellow, brown...

Using the same tought, the first DS album sounds fresh because of the mix of genres that is the roots of modern music. Blues, Country, Folk, Reggae, Rock, Surf...

Well, thanks Ed.
And forgive my lack of knowledge of the whole thing.
 

Offlinedustyvalentino

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #6 on: May 11, 2025, 01:07:10 AM »
The post below is from Ed Bicknell, on behalf of us all, thank you again sir.
"You can't polish a doo-doo" - Mark Knopfler

Offlinedustyvalentino

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #7 on: May 11, 2025, 01:07:48 AM »
Thanks to all who bothered to give this a listen , I hope you enjoyed the music choices ( some HAD to be obvious otherwise I would have chosen differently ) .
As anyone who has ever done a radio or TV interview will know, the greatest enemy is TIME , or rather the lack of time.
Just about everything we see/hear that isn’t “ live ” has been edited.
Johnny did alot longer with me than he usually does ( I believe an hour max ) and consequently had to do some pretty savage editing to get it down to a manageable length for what is a small radio station in Whitstable, which in itself is a small town in Kent .
That is why the fluidity is a bit “interrupted”  ( the full version isn’t ) and I know he had to spend quite a bit of time ( ha! ) and several attempts to cut it back, because my second favourite thing is the sound of my own voice and I don't much care if anyone is listening.
Plus many of my music choices were long and they suffered a similar fate, especially the instrumental pieces.
It was Johnny who decided to jam in Local Hero at the end after he’d chopped up the Vaughan Williams and Miles Davis pieces ( fine with me ..I always though LH was one of M’s finest moments, up there with The Bug ). 

First album.
No offence, slight correction ( probably Rolo’s translation, no prob with that or anybody’s ) …….
Muff actually said in a VERY thick Birmingham accent which I can't imitate in print but imagine Ozzy Oz or Tony Iommi, “ Pick, just play time, nothing else, just play time “ ( unintentionally funny, if he couldn’t play IN time he wouldn’t have been in the band ) and “ if you boys stick together you’ll do alright, just stick together ”.
Remember Muff had been bass player in the early/mid 60’s with the Spencer Davis Group which contained his sixteen year old brother Steve ( a fuck off singer for sure ) so he had a previous experience ( of brothers ) to go by though I don't think the Winwood's came close to the Knopfler’s for sheer brotherly wingeing, at least back then. 
Still, I’m not sure anybody took much notice since he repeated this just about every day…….little did he know just how many musicians wouldn’t stick together starting with two in front of him.

Did Pick say that? 
You need to remember Pick was by far and away the most experienced at that point and had done alot of studio work, mainly at Rockfield in South Wales where he existed in a local cowshed for quite a while and lived on unpasteurised milk.
The others were completely new to a “professional” studio/producer who was really intent on getting on with it, no pissing about.
Ironic that Rolo recognises the elements Pick’s style which hardly constituted just playing “ in time ” , so it contradicts what Muff was saying BUT, in my view Pick carries that first album and I don't mean any disrespect to the other three.
He was EXACTLY the right drummer for his time in the band and he had the foresight to quit at exactly the right time…for him AND for them ( I’ve covered this previously ).
.
Muff basically recorded their live show as it was then, so the songs had been played ALOT and were as tight as a crab’s arse in water eg the last solo on Sultans Rolo has referred to, twiddle-de-dee .
I can't recall but I think tracks were cut at the rate of two a day, then overdubs then mixing. I have 12 days in my head.
Muff had been to see the Wire Crates at Friar’s Aylesbury on the Porking Smeggies tour and he was leaving Island to go to ( then ) CBS to become Head of Um and Aaaah and had a window of about two and a half weeks to record and mix and a pretty tight budget, so it was “ ok, that’s fine, next…”
Thank goodness. He did a great job, no indulging anybody.
Honestly I can't remember who did what guitar parts. I’m not disagreeing, I just can't recall and I wasn’t there every day ( not really part of a manager’s job ).
What I can say is that there were no visitors except John Stainze, no girls, no grannies, no crew except Pete Murdoch, no going to the pub until the end of the day and Mark managed to show remarkable patience with…well you know…and I can't remember any arguments ( Muff would have shut that down very quickly, I should add he has a great sense of humour). 

One funny thing.
I have a clear memory of The BoomTown Rats and DS and myself watching the very first video of Bat Out Of Hell by Meat Loaf on the Old Grey Whistle Test one evening.
They played the whole thing.
At the end ALL the musicians rubbished it, "crap, rubbish, WTF, load of shite" etc etc.
“ That will be number one next week” I said.
“ Ah begorrah,you have to be faaaaackin joking….” ( that’s probably Bob).
And guess what……
Having a sense of what’s commercial and NOT being a musical snob can sometimes be a gift ( I did miss out on YE though. And Taylor ).
I can't think of anything else to tell you that you don’t know except the fucking sleeve took longer than the record and in the end it was a compromise voted for by M and maybe J.
Ridiculous really and plenty of sibling arguments about what constitutes “art ”.
Where was Pavel when we needed him?

NHB’s.
I agree with Rolo’s summary though I never thought about it up to now and I doubt the others did…...anyway my wrists hurt too much ( drumming, not wanking ).
White folks have been stealing EVERYTHING since time began ……..Elvis Presley doing Arthur Crudup, Pat Boone doing Little Richard, Mark Knopfler doing Bo Diddley, Rod Stewart copying Sam Cooke , Beatles/Isley Bros , Led Zeppelin/everybody,  Rolling Stones/everybody , the list is endless and in reverse Jimi Hendrix/ Bonnie Dobson, sorry I'm getting bored with this ( and I’m not too sure about the yellow contribution unless that’s a reference to jaundice.)

Not sure it was a “celebration” …...it didn't seem like that on day 37 of rehearsals.
It was what got a tick on the blackboard …as I keep saying ALL THIS STUFF was way, way more random and accidental than you seem to think and as the NHB’s progressed we did audience requests for THE FUN of it.
No other reason..you don’t NEED another reason ….FUN is enough and we certainly had fun in the NHB’s.
Fuck I miss Brendan.

Dire Straits. Surf music. Hmmmmmmmmmmmmm  Check out "Third Stone From The Sun”  Hendrix first album. He has some thoughts about that ..pretty funny. .

And don't worry about lack of knowledge, this is a fan site..without ignorance what would you have to speculate about? Argue about?
If you knew everything there would be no point in AMIT existing.

Imagine….
“ I KNOW Steve Gadd is the worst drummer in the World ”
“ I agree ”
“ Right then. Settled that. Now what? Ah yes, I think Guitar George played a copy Stratocaster with no tremolo.”
“ He did. My mate Stan saw him at the Blue Balls Gastric Pub in Leeds, it was red, had to be”.
“ Great. Tick for that, now is it true the crew called John Illsley The Penguin?”
“ It is”.
“ Ok. Well, that was a productive exchange. I love this site, we agree about everything, I’m off for a piss”.






























"You can't polish a doo-doo" - Mark Knopfler

OfflineRobson

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #8 on: May 11, 2025, 01:30:33 AM »
Wow! Thanks Ed, thanks Dusty:)

Fuck I miss Brendan.

Me too:(
I know the way I can see by the moonlight
Clear as the day
Now come on woman, come follow me home

Offlinesuperval99

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #9 on: May 11, 2025, 10:35:52 AM »
Many thanks to Ed and dusty for this great interview with Johnny Fewings.   I have just finished listening and enjoyed it immensely.

Around 1960 I was at secretarial college and on the way home would go to a coffee shop with some friends where they played lots of jazz, including Dave Brubeck's Take Five which I loved, along with Humphrey Lyttleton's Bad Penny Blues.  Ed is a few years younger than me, but I think we were probably listening to similar music at that time.

The programme also brought back memories for me of queuing for tickets all day in pouring rain in Liverpool to see the Beatles and then not being able to actually hear them singing because of all the screaming!  I don't remember the smell of pee though!   :o

Thanks Ed!

PS Love the Tallis Fantasia!



« Last Edit: May 11, 2025, 11:12:59 AM by superval99 »
Goin' into Tow Law....

OfflineRolo

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #10 on: May 11, 2025, 12:25:29 PM »
Thanks A LOT, Ed.
Fun as always.
I don't know if you will read my follow comments, however. Here is


Thanks to all who bothered to give this a listen , I hope you enjoyed the music choices ( some HAD to be obvious otherwise I would have chosen differently ) .
As anyone who has ever done a radio or TV interview will know, the greatest enemy is TIME , or rather the lack of time.
Just about everything we see/hear that isn’t “ live ” has been edited.

Yep. How can I forgot about the word 'edited'
On this "era" of podcasts. Edit will fit only for small cuts.
Damn I hate this 'cuts'. They are all over the place. Should I read a book? YES!

Quote
...and I know he had to spend quite a bit of time ( ha! ) and several attempts to cut it back, because my second favourite thing is the sound of my own voice and I don't much care if anyone is listening.

HAHAHAHAHAHAHAHA.

Quote
( fine with me ..I always though LH was one of M’s finest moments, up there with The Bug ). 

I think that you missed the best M's song ever. Golden Farts

Quote
First album.
No offence, slight correction ( probably Rolo’s translation, no prob with that or anybody’s ) …….
Muff actually said in a VERY thick Birmingham accent which I can't imitate in print but imagine Ozzy Oz or Tony Iommi, “ Pick, just play time, nothing else, just play time “ ( unintentionally funny, if he couldn’t play IN time he wouldn’t have been in the band ) and “ if you boys stick together you’ll do alright, just stick together ”.
Remember Muff had been bass player in the early/mid 60’s with the Spencer Davis Group which contained his sixteen year old brother Steve ( a fuck off singer for sure ) so he had a previous experience ( of brothers ) to go by though I don't think the Winwood's came close to the Knopfler’s for sheer brotherly wingeing, at least back then. 
Still, I’m not sure anybody took much notice since he repeated this just about every day…….little did he know just how many musicians wouldn’t stick together starting with two in front of him.

I took no offense at all.
I "learn" how to communicate in english watching movies from the best austrian/american actor from all time, Mr. Schwarzenegger. LOL

Quote
Did Pick say that?

Yes. And there is a YT video from a guy who interviewed Pick and also David. There are a few moments that, if I remember well, Pick seemed a bit angry remembering his Straits past.

Quote
 
You need to remember Pick was by far and away the most experienced at that point and had done alot of studio work, mainly at Rockfield in South Wales where he existed in a local cowshed for quite a while and lived on unpasteurised milk.
The others were completely new to a “professional” studio/producer who was really intent on getting on with it, no pissing about.
Ironic that Rolo recognises the elements Pick’s style which hardly constituted just playing “ in time ” , so it contradicts what Muff was saying BUT, in my view Pick carries that first album and I don't mean any disrespect to the other three.
He was EXACTLY the right drummer for his time in the band and he had the foresight to quit at exactly the right time…for him AND for them ( I’ve covered this previously ).

This is exactly what I wanted to say. hahaha
Pick's drumming is flawless and yes, indeed, he carries the first album. OK, Mark's guitars are in the front row. However, people forget that the kitchen is THE responsible a restaurant sucess (or failture).

Few people really pay attention to Paul Chambers basslines when alongside of him we got Coltrane, Cannonball, Bill Evans and Miles.


Quote
Muff basically recorded their live show as it was then, so the songs had been played ALOT and were as tight as a crab’s arse in water eg the last solo on Sultans Rolo has referred to, twiddle-de-dee .
I can't recall but I think tracks were cut at the rate of two a day, then overdubs then mixing. I have 12 days in my head.
Muff had been to see the Wire Crates at Friar’s Aylesbury on the Porking Smeggies tour and he was leaving Island to go to ( then ) CBS to become Head of Um and Aaaah and had a window of about two and a half weeks to record and mix and a pretty tight budget, so it was “ ok, that’s fine, next…”
Thank goodness. He did a great job, no indulging anybody.
Honestly I can't remember who did what guitar parts. I’m not disagreeing, I just can't recall and I wasn’t there every day ( not really part of a manager’s job ).
What I can say is that there were no visitors except John Stainze, no girls, no grannies, no crew except Pete Murdoch, no going to the pub until the end of the day and Mark managed to show remarkable patience with…well you know…and I can't remember any arguments ( Muff would have shut that down very quickly, I should add he has a great sense of humour). 

Yes.
Muff's said on that famous documentary about DS that DK was good as M (or something like that). However, to my ears, the rhythm guitars are too good to be you know who.


Quote
One funny thing.
I have a clear memory of The BoomTown Rats and DS and myself watching the very first video of Bat Out Of Hell by Meat Loaf on the Old Grey Whistle Test one evening.
They played the whole thing.
At the end ALL the musicians rubbished it, "crap, rubbish, WTF, load of shite" etc etc.
“ That will be number one next week” I said.
“ Ah begorrah,you have to be faaaaackin joking….” ( that’s probably Bob).
And guess what……
Having a sense of what’s commercial and NOT being a musical snob can sometimes be a gift ( I did miss out on YE though. And Taylor ).
I can't think of anything else to tell you that you don’t know except the fucking sleeve took longer than the record and in the end it was a compromise voted for by M and maybe J.
Ridiculous really and plenty of sibling arguments about what constitutes “art ”.
Where was Pavel when we needed him?

HAHAHA.
Maybe the environment wasn't gray enought for that artistic sleeve.


Quote
NHB’s.
I agree with Rolo’s summary though I never thought about it up to now and I doubt the others did…...anyway my wrists hurt too much ( drumming, not wanking ).
White folks have been stealing EVERYTHING since time began ……..Elvis Presley doing Arthur Crudup, Pat Boone doing Little Richard, Mark Knopfler doing Bo Diddley, Rod Stewart copying Sam Cooke , Beatles/Isley Bros , Led Zeppelin/everybody,  Rolling Stones/everybody , the list is endless and in reverse Jimi Hendrix/ Bonnie Dobson, sorry I'm getting bored with this ( and I’m not too sure about the yellow contribution unless that’s a reference to jaundice.)

Yes, of course.
My comments about the 'Born of the Blues' and NHB was about a band of white british people playing, not essentially black music, but music from everywhere mixed up that we call Blues.

Stealing is a very common thing.
We steal everytime.

Quote
Not sure it was a “celebration” …...it didn't seem like that on day 37 of rehearsals.
HAAHHAHAAHAHAH I laught loud.

Quote
It was what got a tick on the blackboard …as I keep saying ALL THIS STUFF was way, way more random and accidental than you seem to think and as the NHB’s progressed we did audience requests for THE FUN of it.
No other reason..you don’t NEED another reason ….FUN is enough and we certainly had fun in the NHB’s.
Fuck I miss Brendan.

We all miss Brendan.

Quote
Dire Straits. Surf music. Hmmmmmmmmmmmmm  Check out "Third Stone From The Sun”  Hendrix first album. He has some thoughts about that ..pretty funny. .

I never read the lyrics:
Although your world wonders me
With your majestic and superior cackling hen
Your people, I do not understand
So to you, I shall put an end
And you'll never hear surf music again

HAHAHAHAHAHAAH!

Quote
And don't worry about lack of knowledge, this is a fan site..without ignorance what would you have to speculate about? Argue about?
If you knew everything there would be no point in AMIT existing.

Imagine….
“ I KNOW Steve Gadd is the worst drummer in the World ”
“ I agree ”
“ Right then. Settled that. Now what? Ah yes, I think Guitar George played a copy Stratocaster with no tremolo.”
“ He did. My mate Stan saw him at the Blue Balls Gastric Pub in Leeds, it was red, had to be”.
“ Great. Tick for that, now is it true the crew called John Illsley The Penguin?”
“ It is”.
“ Ok. Well, that was a productive exchange. I love this site, we agree about everything, I’m off for a piss”.

And everything could be different if M would played a blue Gibson.

Thanks Ed.
Damn, you are a funny guy.

Thanks to be, in a way, part of this forum.
Let's celebrate. Pay us a drink.

We deserve it.
« Last Edit: May 11, 2025, 02:56:51 PM by Rolo »

Offlinedustyvalentino

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #11 on: May 11, 2025, 06:19:37 PM »
Many thanks to Ed and dusty for this great interview with Johnny Fewings.   I have just finished listening and enjoyed it immensely.

Around 1960 I was at secretarial college and on the way home would go to a coffee shop with some friends where they played lots of jazz, including Dave Brubeck's Take Five which I loved, along with Humphrey Lyttleton's Bad Penny Blues.  Ed is a few years younger than me, but I think we were probably listening to similar music at that time.

The programme also brought back memories for me of queuing for tickets all day in pouring rain in Liverpool to see the Beatles and then not being able to actually hear them singing because of all the screaming!  I don't remember the smell of pee though!   :o

Thanks Ed!

PS Love the Tallis Fantasia!

Great memories!
"You can't polish a doo-doo" - Mark Knopfler

Offlinedustyvalentino

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #12 on: May 11, 2025, 10:56:03 PM »
Another post below from Ed, Ambassador, you are spoiling us!
"You can't polish a doo-doo" - Mark Knopfler

Offlinedustyvalentino

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #13 on: May 11, 2025, 10:56:47 PM »
Really brief because I'm breaking my own rule re not corresponding.

Thanks for all the positive comments, it was fun to do and very difficult to select the tracks …I could have easily come up with a completely different set and dumped SOS 🎸
I was looking out of my rear window earlier today which ironically surveys the Knopfler “back-yard ” and there it was….the blackboard chopped into pieces, so sadly I guess that means no more rehearsals and no more tours UNLESS of course our hero has finally purchased an I Pad and learned how to put a grid on the screen.

Re Take 5..yes great TV show which perfectly demonstrates Joe Morello’s skill at leaving space in his drum solo instead of clattering and bashing ..Castilian Drums on the Dave Brubeck Live at Carnegie Hall is ridiculous. That whole album is fab.

Finally Superval99 has got in touch.
Yay! English and of the female persuasion…nice to have you meet me.
I am SO chuffed that you mention Bad Penny Blues, a bit before my time but a great track, simple and it swings.
That’s all you need.
In 1960 I was just getting started on my musical journey……Bill Haley, Roy Orbison, Elvis, Little Richard, Duane Eddy and THE SHADOWS of course.
So about the same as MK at the same time .

Liverpool pee is distinct from most other British urine. It’s more pungent, almost fruity like squashed kumquats, and the aroma lasts longer …certainly from the matinee to the evening show where a refresher sprinkle brings it back to life.
Very early on, somewhere in Europe, a few misguided ladies screamed at Dire Straits …...seriously…...I am NOT joking .
They’d mistaken them for Bjorn Borg and his trio Bjorn Borg and The Racquets which was Bjorn’s pathetic pun on “racket” …I think the headband had a role to play in that confusion.

Rock in Rolo…..you can read MY book.
NO! Not the one about DS I haven't written yet, the one I did ( no one will publish) on the standard of food in British prisons which I compiled from interviews with numerous guitarists who’ve ended up “inside”  after stealing Comfortably Numb licks and being sued by Roger “ ME ME ME “ Waters.
I saw an excellent doc on Arnold recently….I think on Netflix. Joking aside, a brilliant guy and a better actor than people credit him for.
Pick angry? About DS? NEVER 😱 ….much I could say but not here and anyway Pick has been quite vocal about that experience for him.

I am IMPRESSED.
Someone who has listened to Paul Chambers , def one of the greats on jazz bass ( plus Ron Carter, Ray Brown, Jaco Pastorius, Marcus Miller et al )
From memory I think Muff was talking about David K’s songwriting and how suddenly whatever song (s) he’d written/presented disappeared from that first album ( by simply being ignored by M ). 

I got what you were saying about the NHB’s material much of which I didn't know until the titles appeared on that bloody blackboard  ( sometimes I’d rub them off in the hope no one would notice which is why we didn't do Telegraph Road or The Bug ).

But he wasn’t…..actually it was a green and yellow polka dot Strat he’d painted red with some girl’s nail polish……and here’s a secret ( schhhhhhhh) …...do you know M also had a pair of glasses he’d taken the lenses out of so as to look like Hank Marvin until I told him he just looked pathetic so he got a headband instead ( the brand was Hair-loss Headbands “ guaranteed to disguise your receeding hairline” , which they did ). 

If we ever meet, YOU can pay for the drinks, tap water is fine for me.
"You can't polish a doo-doo" - Mark Knopfler

Offlinesuperval99

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Re: Ed Bicknell - Jazz, Blues and Beyond
« Reply #14 on: May 12, 2025, 10:04:39 AM »
Hi Ed!     Thanks for your reply.   We have met before, as I mentioned a while ago on this forum.  It was at Leeds Town & Country.

The music I was listening to in my teens was mainly US rock & roll - Bruce Chanel, Buddy Holly, Dion, Guy Mitchell, Charlie Gracie, Duane Eddy, Eddie Cochran, plus from the UK - THE SHADOWS.   One of the highlights for me was seeing Paul Anka at Liverpool Empire singing Diana!

Goin' into Tow Law....

 

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